Consider the complement
Take a look at what you have been making or doing. See it for what it is. Now consider complementary actions or aspects.
If there is music, look to make silence. If there is silence, make music.
If there is stillness, make movement. If there is lots of moving, make stillness.
If there is language, make wordlessness. If there is no language, make language.
If there is finely crafted, make messily. If there is mess, make refined.
If you have been rushing, take your time. If you have been slow, go quickly.
If you have only pieces, make a whole. If there is a righteous whole, shatter it.
If you have been preoccupied with balance, make unwieldy.
If you have been making everything smooth, make jagged.
If you have been striving for consistency, make with contradiction.
If you have been making from the brain, make from the heart. If you have been in your mind, move into your body.
Don’t try to take on all of these or allow yourself to be shut down by the variety here. What is the most resonant thing you have seen here. Start out from that point.
If there is music, look to make silence. If there is silence, make music.
If there is stillness, make movement. If there is lots of moving, make stillness.
If there is language, make wordlessness. If there is no language, make language.
If there is finely crafted, make messily. If there is mess, make refined.
If you have been rushing, take your time. If you have been slow, go quickly.
If you have only pieces, make a whole. If there is a righteous whole, shatter it.
If you have been preoccupied with balance, make unwieldy.
If you have been making everything smooth, make jagged.
If you have been striving for consistency, make with contradiction.
If you have been making from the brain, make from the heart. If you have been in your mind, move into your body.
Don’t try to take on all of these or allow yourself to be shut down by the variety here. What is the most resonant thing you have seen here. Start out from that point.
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